Photography by Tamer Tageldin
Architecture.
A way of seeing.
A visual notebook of buildings, cities and the spaces between them. Light, texture and everyday life, observed through my lens.
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Places, seen a little closer.
These photographs follow architecture at different scales: a library’s reading desk, a museum’s monumental hall, a street corner and the skyline beyond it. The latest notebook follows Kuala Lumpur through the skyline of Merdeka 118 and the Petronas Towers, the shaded spaces of PAM Centre, and the interiors and gardens of Hyatt Regency. Earlier journeys continue through Egypt, Qatar, Japan, Copenhagen and the United States.
Merdeka 118 above the Kuala Lumpur skyline
Kuala Lumpur, September 2026. Merdeka 118 rises above a lower, horizontally layered city — the contrast behind my note on perceived height.
PAM Centre — planted street frontage
PAM Centre, Kuala Lumpur, September 2026. A visit focused on exposed materials, shaded voids, planting and the way circulation opens to daylight and air.
Brick and screened daylight
PAM Centre, Kuala Lumpur, September 2026. A visit focused on exposed materials, shaded voids, planting and the way circulation opens to daylight and air.
Looking through the central atrium
PAM Centre, Kuala Lumpur, September 2026. A visit focused on exposed materials, shaded voids, planting and the way circulation opens to daylight and air.
Perforated brick and a shaded bench
PAM Centre, Kuala Lumpur, September 2026. A visit focused on exposed materials, shaded voids, planting and the way circulation opens to daylight and air.
Exposed structure and open circulation
PAM Centre, Kuala Lumpur, September 2026. A visit focused on exposed materials, shaded voids, planting and the way circulation opens to daylight and air.
A gathering space beneath the concrete roof
PAM Centre, Kuala Lumpur, September 2026. A visit focused on exposed materials, shaded voids, planting and the way circulation opens to daylight and air.
PAM Centre in its street context
PAM Centre, Kuala Lumpur, September 2026. A visit focused on exposed materials, shaded voids, planting and the way circulation opens to daylight and air.
A planted courtyard below the screens
PAM Centre, Kuala Lumpur, September 2026. A visit focused on exposed materials, shaded voids, planting and the way circulation opens to daylight and air.
Open stairs and layered circulation
PAM Centre, Kuala Lumpur, September 2026. A visit focused on exposed materials, shaded voids, planting and the way circulation opens to daylight and air.
Walkways around the atrium
PAM Centre, Kuala Lumpur, September 2026. A visit focused on exposed materials, shaded voids, planting and the way circulation opens to daylight and air.
Hyatt Regency Kuala Lumpur — lobby and suspended installation
Hyatt Regency Kuala Lumpur at KL Midtown, September 2026. A tour hosted by the hotel team, following the relationship between architecture, interiors, landscape and hospitality.
A shaded terrace above the city
Hyatt Regency Kuala Lumpur at KL Midtown, September 2026. A tour hosted by the hotel team, following the relationship between architecture, interiors, landscape and hospitality.
Art and timber in the lobby
Hyatt Regency Kuala Lumpur at KL Midtown, September 2026. A tour hosted by the hotel team, following the relationship between architecture, interiors, landscape and hospitality.
The scale of the reception hall
Hyatt Regency Kuala Lumpur at KL Midtown, September 2026. A tour hosted by the hotel team, following the relationship between architecture, interiors, landscape and hospitality.
Planting between the buildings
Hyatt Regency Kuala Lumpur at KL Midtown, September 2026. A tour hosted by the hotel team, following the relationship between architecture, interiors, landscape and hospitality.
Pendant lights and a view to the garden
Hyatt Regency Kuala Lumpur at KL Midtown, September 2026. A tour hosted by the hotel team, following the relationship between architecture, interiors, landscape and hospitality.
Shelter at the glazed edge
Hyatt Regency Kuala Lumpur at KL Midtown, September 2026. A tour hosted by the hotel team, following the relationship between architecture, interiors, landscape and hospitality.
Light through the overhead installation
Hyatt Regency Kuala Lumpur at KL Midtown, September 2026. A tour hosted by the hotel team, following the relationship between architecture, interiors, landscape and hospitality.
The banquet hall
Hyatt Regency Kuala Lumpur at KL Midtown, September 2026. A tour hosted by the hotel team, following the relationship between architecture, interiors, landscape and hospitality.
A circular private dining room
Hyatt Regency Kuala Lumpur at KL Midtown, September 2026. A tour hosted by the hotel team, following the relationship between architecture, interiors, landscape and hospitality.
Warm light above the dining table
Hyatt Regency Kuala Lumpur at KL Midtown, September 2026. A tour hosted by the hotel team, following the relationship between architecture, interiors, landscape and hospitality.
Looking down through the interior
Hyatt Regency Kuala Lumpur at KL Midtown, September 2026. A tour hosted by the hotel team, following the relationship between architecture, interiors, landscape and hospitality.
Timber screens and the café
Hyatt Regency Kuala Lumpur at KL Midtown, September 2026. A tour hosted by the hotel team, following the relationship between architecture, interiors, landscape and hospitality.
Landscape beside the covered walkway
Hyatt Regency Kuala Lumpur at KL Midtown, September 2026. A tour hosted by the hotel team, following the relationship between architecture, interiors, landscape and hospitality.
The Petronas Towers illuminated at night
Kuala Lumpur, September 2026. Looking up at the Petronas Towers at night, when stainless steel, repetition and reflected light give the façades a different depth.
The Petronas Towers across the daytime skyline
Kuala Lumpur, September 2026. The Petronas Towers seen within the city, the subject of my note on geometry, material and urban identity.
Photograph by Tamer Tageldin · Read the story
Merdeka 118 — stone, stairs and the entrance hall
Merdeka 118 and Park Hyatt, Kuala Lumpur, September 2026. An evening visit through the entrance hall and hotel interiors.
Photograph by Tamer Tageldin · Read the story
A faceted welcome desk
Merdeka 118 and Park Hyatt, Kuala Lumpur, September 2026. An evening visit through the entrance hall and hotel interiors.
Photograph by Tamer Tageldin · Read the story
Artwork at the end of a timber-lined passage
Merdeka 118 and Park Hyatt, Kuala Lumpur, September 2026. An evening visit through the entrance hall and hotel interiors.
Photograph by Tamer Tageldin · Read the story
The café counter and display
Merdeka 118 and Park Hyatt, Kuala Lumpur, September 2026. An evening visit through the entrance hall and hotel interiors.
Photograph by Tamer Tageldin · Read the story
Layered light inside Park Hyatt
Merdeka 118 and Park Hyatt, Kuala Lumpur, September 2026. An evening visit through the entrance hall and hotel interiors.
Photograph by Tamer Tageldin · Read the story
Merdeka 118 rising into the night
Kuala Lumpur, September 2026. Merdeka 118 from below, its faceted outline picked out against the night sky.
Photograph by Tamer Tageldin
Kuala Lumpur Tower against the sky
Kuala Lumpur, September 2026. A first look at the city through the observation tower and its surrounding skyline.
Photograph by Tamer Tageldin
Bibliotheca Alexandrina — Reading terraces
A visit to the library in June 2026: stepped reading areas, slender columns and roof light connect the scale of the room with individual places to read.
Photograph by Tamer Tageldin
Bibliotheca Alexandrina — A quiet desk beneath the collection
A visit to the library in June 2026: stepped reading areas, slender columns and roof light connect the scale of the room with individual places to read.
Photograph by Tamer Tageldin
Bibliotheca Alexandrina — Columns and reading desks
A visit to the library in June 2026: stepped reading areas, slender columns and roof light connect the scale of the room with individual places to read.
Photograph by Tamer Tageldin
Bibliotheca Alexandrina — Light across the reading hall
A visit to the library in June 2026: stepped reading areas, slender columns and roof light connect the scale of the room with individual places to read.
Photograph by Tamer Tageldin
Bibliotheca Alexandrina — The roof above the books
A visit to the library in June 2026: stepped reading areas, slender columns and roof light connect the scale of the room with individual places to read.
Photograph by Tamer Tageldin
Bibliotheca Alexandrina — Stepped shelves and circulation
A visit to the library in June 2026: stepped reading areas, slender columns and roof light connect the scale of the room with individual places to read.
Photograph by Tamer Tageldin
Bibliotheca Alexandrina — A place to read
A visit to the library in June 2026: stepped reading areas, slender columns and roof light connect the scale of the room with individual places to read.
Photograph by Tamer Tageldin
Bibliotheca Alexandrina — The library at human scale
A visit to the library in June 2026: stepped reading areas, slender columns and roof light connect the scale of the room with individual places to read.
Photograph by Tamer Tageldin
Bibliotheca Alexandrina — Books along the stair
A visit to the library in June 2026: stepped reading areas, slender columns and roof light connect the scale of the room with individual places to read.
Photograph by Tamer Tageldin
Bibliotheca Alexandrina — Layers of reading space
A visit to the library in June 2026: stepped reading areas, slender columns and roof light connect the scale of the room with individual places to read.
Photograph by Tamer Tageldin
Bibliotheca Alexandrina — Balconies and bookshelves
A visit to the library in June 2026: stepped reading areas, slender columns and roof light connect the scale of the room with individual places to read.
Photograph by Tamer Tageldin
Bibliotheca Alexandrina — Light between the roof blades
A visit to the library in June 2026: stepped reading areas, slender columns and roof light connect the scale of the room with individual places to read.
Photograph by Tamer Tageldin
Bibliotheca Alexandrina — Moving through the collection
A visit to the library in June 2026: stepped reading areas, slender columns and roof light connect the scale of the room with individual places to read.
Photograph by Tamer Tageldin
Grand Egyptian Museum — Gold against darkness
From the June 2026 museum visit: monumental spaces and carefully lit exhibits move attention between the building, its collection and the landscape beyond.
Photograph by Tamer Tageldin
Grand Egyptian Museum — Seated figure in the gallery
From the June 2026 museum visit: monumental spaces and carefully lit exhibits move attention between the building, its collection and the landscape beyond.
Photograph by Tamer Tageldin
Grand Egyptian Museum — Visitors silhouetted against the landscape
From the June 2026 museum visit: monumental spaces and carefully lit exhibits move attention between the building, its collection and the landscape beyond.
Photograph by Tamer Tageldin
Grand Egyptian Museum — Profile of a gilded mask
From the June 2026 museum visit: monumental spaces and carefully lit exhibits move attention between the building, its collection and the landscape beyond.
Photograph by Tamer Tageldin
Grand Egyptian Museum — A standing figure
From the June 2026 museum visit: monumental spaces and carefully lit exhibits move attention between the building, its collection and the landscape beyond.
Photograph by Tamer Tageldin
Grand Egyptian Museum — Figures side by side
From the June 2026 museum visit: monumental spaces and carefully lit exhibits move attention between the building, its collection and the landscape beyond.
Photograph by Tamer Tageldin
Grand Egyptian Museum — Sculpture in the entrance hall
From the June 2026 museum visit: monumental spaces and carefully lit exhibits move attention between the building, its collection and the landscape beyond.
Photograph by Tamer Tageldin
Grand Egyptian Museum — Patterns of sunlight
From the June 2026 museum visit: monumental spaces and carefully lit exhibits move attention between the building, its collection and the landscape beyond.
Photograph by Tamer Tageldin
Grand Egyptian Museum — A face in the collection
From the June 2026 museum visit: monumental spaces and carefully lit exhibits move attention between the building, its collection and the landscape beyond.
Photograph by Tamer Tageldin
Grand Egyptian Museum — Light through the monumental entrance
From the June 2026 museum visit: monumental spaces and carefully lit exhibits move attention between the building, its collection and the landscape beyond.
Photograph by Tamer Tageldin
Grand Egyptian Museum — Portrait in stone
From the June 2026 museum visit: monumental spaces and carefully lit exhibits move attention between the building, its collection and the landscape beyond.
Photograph by Tamer Tageldin
Grand Egyptian Museum — Framing the pyramids
From the June 2026 museum visit: monumental spaces and carefully lit exhibits move attention between the building, its collection and the landscape beyond.
Photograph by Tamer Tageldin
Grand Egyptian Museum — An illuminated display
From the June 2026 museum visit: monumental spaces and carefully lit exhibits move attention between the building, its collection and the landscape beyond.
Photograph by Tamer Tageldin
Grand Egyptian Museum — A monumental face
From the June 2026 museum visit: monumental spaces and carefully lit exhibits move attention between the building, its collection and the landscape beyond.
Photograph by Tamer Tageldin
Qatar National Library — A folded edge
The February 2025 Qatar visit moves from broad civic spaces to intimate reading areas. These photographs follow the library’s folded surfaces, shelves and daylight.
Photograph by Tamer Tageldin
Qatar National Library — Approaching through the courtyard
The February 2025 Qatar visit moves from broad civic spaces to intimate reading areas. These photographs follow the library’s folded surfaces, shelves and daylight.
Photograph by Tamer Tageldin
Qatar National Library — Reading beneath the glass
The February 2025 Qatar visit moves from broad civic spaces to intimate reading areas. These photographs follow the library’s folded surfaces, shelves and daylight.
Photograph by Tamer Tageldin
Qatar National Library — Shelves in monochrome
The February 2025 Qatar visit moves from broad civic spaces to intimate reading areas. These photographs follow the library’s folded surfaces, shelves and daylight.
Photograph by Tamer Tageldin
Education City Mosque — Lines rising into the sky
Photographed during the February 2025 Qatar visit: curved surfaces, lifted edges and filtered light shape the transition from outside to inside.
Photograph by Tamer Tageldin
Education City Mosque — Light at the prayer hall
Photographed during the February 2025 Qatar visit: curved surfaces, lifted edges and filtered light shape the transition from outside to inside.
Photograph by Tamer Tageldin
Education City Mosque — Shade beneath the patterned canopy
Photographed during the February 2025 Qatar visit: curved surfaces, lifted edges and filtered light shape the transition from outside to inside.
Photograph by Tamer Tageldin
Museum of Islamic Art — Geometry above the atrium
A study of the museum’s interior: geometry, framed views and changes in scale connect the atrium, stairs and galleries.
Photograph by Tamer Tageldin
Museum of Islamic Art — Across the central hall
A study of the museum’s interior: geometry, framed views and changes in scale connect the atrium, stairs and galleries.
Photograph by Tamer Tageldin
Museum of Islamic Art — Stairs crossing the void
A study of the museum’s interior: geometry, framed views and changes in scale connect the atrium, stairs and galleries.
Photograph by Tamer Tageldin
Museum of Islamic Art — Light beneath the ceiling
A study of the museum’s interior: geometry, framed views and changes in scale connect the atrium, stairs and galleries.
Photograph by Tamer Tageldin
Museum of Islamic Art — The stair as a sculptural centre
A study of the museum’s interior: geometry, framed views and changes in scale connect the atrium, stairs and galleries.
Photograph by Tamer Tageldin
Museum of Islamic Art — Looking up through the atrium
A study of the museum’s interior: geometry, framed views and changes in scale connect the atrium, stairs and galleries.
Photograph by Tamer Tageldin
SunnyHills, Minami-Aoyama — Timber at the street corner
Tokyo, March 2025: a small building encountered from the street and then from within. The interwoven timber screen changes from a dense façade to a filter for light.
Photograph by Tamer Tageldin
SunnyHills, Minami-Aoyama — Inside the timber lattice
Tokyo, March 2025: a small building encountered from the street and then from within. The interwoven timber screen changes from a dense façade to a filter for light.
Photograph by Tamer Tageldin
SunnyHills, Minami-Aoyama — Entering through the lattice
Tokyo, March 2025: a small building encountered from the street and then from within. The interwoven timber screen changes from a dense façade to a filter for light.
Photograph by Tamer Tageldin
SunnyHills, Minami-Aoyama — A screen behind the planting
Tokyo, March 2025: a small building encountered from the street and then from within. The interwoven timber screen changes from a dense façade to a filter for light.
Photograph by Tamer Tageldin
SunnyHills, Minami-Aoyama — A second approach
Tokyo, March 2025: a small building encountered from the street and then from within. The interwoven timber screen changes from a dense façade to a filter for light.
Photograph by Tamer Tageldin
Nezu Museum — The stair and the garden
Tokyo, March 2025: movement through the museum is observed through timber ceilings, glass, stairs and glimpses of the garden.
Photograph by Tamer Tageldin
Tokyo streets — A faceted glass corner
Tokyo observations move between dense street frontages, individual façade details and views of the wider city.
Photograph by Tamer Tageldin
Tokyo streets — Vertical rhythm along the street
Tokyo observations move between dense street frontages, individual façade details and views of the wider city.
Photograph by Tamer Tageldin
Tokyo streets — Tokyo after dark
Tokyo observations move between dense street frontages, individual façade details and views of the wider city.
Photograph by Tamer Tageldin
Tokyo streets — Design underfoot
Tokyo observations move between dense street frontages, individual façade details and views of the wider city.
Photograph by Tamer Tageldin
Tokyo streets — Skytree across the rooftops
Tokyo observations move between dense street frontages, individual façade details and views of the wider city.
Photograph by Tamer Tageldin
Tokyo streets — Stacked volumes at the crossing
Tokyo observations move between dense street frontages, individual façade details and views of the wider city.
Photograph by Tamer Tageldin
Tokyo streets — An everyday street
Tokyo observations move between dense street frontages, individual façade details and views of the wider city.
Photograph by Tamer Tageldin
Tokyo streets — Skytree illuminated
Tokyo observations move between dense street frontages, individual façade details and views of the wider city.
Photograph by Tamer Tageldin
The Oculus — The hall from above
A sequence through the white interior follows repeating ribs, bridges and the changing scale of people within the hall.
Photograph by Tamer Tageldin
The Oculus — Along the central axis
A sequence through the white interior follows repeating ribs, bridges and the changing scale of people within the hall.
Photograph by Tamer Tageldin
The Oculus — Between the ribs
A sequence through the white interior follows repeating ribs, bridges and the changing scale of people within the hall.
Photograph by Tamer Tageldin
The Oculus — A pause in the concourse
A sequence through the white interior follows repeating ribs, bridges and the changing scale of people within the hall.
Photograph by Tamer Tageldin
The Oculus — Curves above the public floor
A sequence through the white interior follows repeating ribs, bridges and the changing scale of people within the hall.
Photograph by Tamer Tageldin
Midtown and Lower Manhattan — A cantilever overhead
New York street observations: towers are read from pavement level, through setbacks, reflections and the spaces they leave around them.
Photograph by Tamer Tageldin
Midtown and Lower Manhattan — An illuminated entrance hall
New York street observations: towers are read from pavement level, through setbacks, reflections and the spaces they leave around them.
Photograph by Tamer Tageldin
Midtown and Lower Manhattan — A rippling tower façade
New York street observations: towers are read from pavement level, through setbacks, reflections and the spaces they leave around them.
Photograph by Tamer Tageldin
Midtown and Lower Manhattan — Looking up through branches
New York street observations: towers are read from pavement level, through setbacks, reflections and the spaces they leave around them.
Photograph by Tamer Tageldin
Midtown and Lower Manhattan — Sculpture against the office grid
New York street observations: towers are read from pavement level, through setbacks, reflections and the spaces they leave around them.
Photograph by Tamer Tageldin
Midtown and Lower Manhattan — A transparent lobby
New York street observations: towers are read from pavement level, through setbacks, reflections and the spaces they leave around them.
Photograph by Tamer Tageldin
Midtown and Lower Manhattan — A tower from the crossing
New York street observations: towers are read from pavement level, through setbacks, reflections and the spaces they leave around them.
Photograph by Tamer Tageldin
Midtown and Lower Manhattan — Public art beside the ribs
New York street observations: towers are read from pavement level, through setbacks, reflections and the spaces they leave around them.
Photograph by Tamer Tageldin
Midtown and Lower Manhattan — A tower above older streets
New York street observations: towers are read from pavement level, through setbacks, reflections and the spaces they leave around them.
Photograph by Tamer Tageldin
Midtown and Lower Manhattan — Setbacks against blue sky
New York street observations: towers are read from pavement level, through setbacks, reflections and the spaces they leave around them.
Photograph by Tamer Tageldin
Midtown and Lower Manhattan — Looking beneath the overhang
New York street observations: towers are read from pavement level, through setbacks, reflections and the spaces they leave around them.
Photograph by Tamer Tageldin
Midtown and Lower Manhattan — The street beneath the tower
New York street observations: towers are read from pavement level, through setbacks, reflections and the spaces they leave around them.
Photograph by Tamer Tageldin
Richard Gilder Center — A carved interior in monochrome
From the June 2023 New York visit: rounded openings and deep surfaces bring a sense of depth and movement to the museum interior.
Photograph by Tamer Tageldin
City and interiors — A dome at the end of the street
From the June 2025 Copenhagen visit: the sequence shifts between a domed landmark seen along the street and the quieter material detail of interior spaces.
Photograph by Tamer Tageldin
City and interiors — Stone, timber and a place to sit
From the June 2025 Copenhagen visit: the sequence shifts between a domed landmark seen along the street and the quieter material detail of interior spaces.
Photograph by Tamer Tageldin
City and interiors — A circular light above the room
From the June 2025 Copenhagen visit: the sequence shifts between a domed landmark seen along the street and the quieter material detail of interior spaces.
Photograph by Tamer Tageldin
Willis Tower — A tower in monochrome
From the November 2019 Chicago visit: a pavement-level view traces the tower’s dark grid and successive setbacks.
Photograph by Tamer Tageldin
Bradbury Building — Ironwork and layered walkways
From the November 2015 Los Angeles visit: the interior is observed through its ironwork, walkways and light-filled vertical space.
Photograph by Tamer Tageldin
Doha and Lusail — A passage through Souq Waqif
From the February 2025 Qatar visit: a contrast between a narrow market passage and the upward sweep of contemporary towers.
Photograph by Tamer Tageldin
Doha and Lusail — Towers and a suspended form
From the February 2025 Qatar visit: a contrast between a narrow market passage and the upward sweep of contemporary towers.
Photograph by Tamer Tageldin
Interior observations — Light at the end of the atrium
A study of a tall interior, following the relationship between daylight, structure and the occupied floor.
Photograph by Tamer Tageldin
Concrete & a flash of red
Tokyo — drizzling walks
Shibuya — the corner building
Tokyo Skytree after dark
Tokyo — at walking pace
Dior — a folded façade
21_21 Design Sight — arrival
Tokyo — water & city
Sensō-ji — the pagoda
Shibuya Crossing
Sumida Hokusai Museum
Kadokawa — a room of books
Tokyo — below the street
21_21 Design Sight — light & concrete
Kadokawa Culture Museum
Toranomon after dark
SunnyHills — timber lattice
The Mass — concrete & street
Asakusa Culture and Tourism Center
Tokyo — the pedestrian bridge
Tokyo — descending
Tokyo — beneath the viaduct
Tokyo — shopfronts in the rain
Tokyo — a street unfolds
21_21 — lettering in concrete
21_21 — stair & daylight
21_21 — exhibition threshold
21_21 — display & wall
21_21 — exhibition space
21_21 — a place to pause
21_21 — surface & light
21_21 — the glazed passage
21_21 Design Sight — moving through
A Japanese garden
Kengo Kuma — interior perspectives
Tokyo — across the skyline
Cactus Towers — balcony geometry
Radisson Royal — interior study
VM Houses
BLOX — on the waterfront
Superkilen — shared public space
Arriving in Nordhavn
Cirkelbroen — the Circle Bridge
Nyhavn — life along the quay
Royal Hotel — the spiral staircase
Royal Hotel — furniture & form
Royal Hotel — warm timber
Royal Hotel — stone & daylight
Royal Hotel — a material study
Royal Hotel — the circular opening
Royal Hotel — around the stair
Royal Hotel — a line of light
Royal Hotel — a quiet corner
Cactus Towers — at street level
Cactus Towers — city & movement
Lusail — curved towers
Qatar National Library — into the light
Fanar after dark
Katara — shelter
National Museum of Qatar
National Museum of Qatar — intersecting discs
Hamad Airport — a garden beneath glass
Msheireb — the vertical marker
Museum of Islamic Art — the atrium
Museum of Islamic Art — evening reflections
Education City Mosque — reaching skyward
Doha — a folded roofline
Education City Mosque — beneath the canopy
Museum of Islamic Art — stone & water
Lusail — a view between towers
National Museum of Qatar — the wider landscape
Katara — pigeon towers
Katara — doors & texture
The UN building
Manhattan at dusk
The Oculus at street level
Manhattan — façade rhythm
Brooklyn — a pause by the river
Richard Gilder Center — a carved interior
Manhattan — glass at the corner
Whitney Museum — at street level
Whitney Museum — terrace & river
Lower Manhattan — across the water
Manhattan — a sculpted residential block
Chicago — vertical in monochrome
Willis Tower — looking up
Alexandria Corniche — Chatby
At the water’s edge
Bibliotheca Alexandrina — the reading landscape
Alexandria — a city corner
Alexandria — layered façades
Alexandria — along the Corniche
San Francisco in layers
City Hall — across the street
San Francisco — looking upward
San Francisco — a street towards the bay
San Francisco — skyline in monochrome
San Francisco — a roof as landscape
San Francisco — a textured museum façade
Golden Gate Bridge — into the mist
Transamerica Pyramid — from the street
A window towards the pyramids
Colour on the Nile
Cairo, framed
Louvre Abu Dhabi — sea & dome
Louvre Abu Dhabi — a quiet courtyard
Louvre Abu Dhabi — sunset beneath the dome
Louvre Abu Dhabi — light in monochrome
Abu Dhabi — across the water
Louvre Abu Dhabi — walls, sky & reflection
Abrahamic Family House — stone & shade
Abu Dhabi — arch & patterned screen
Getty Center — after sunset
Getty Center — towards the city
Bradbury Building — crafted detail
Waterfront in monochrome
From the portfolio archive
City after dark
From the portfolio archive
Dubai — infrastructure in monochrome
Dubai — beside the canal
Light & form
From the portfolio archive
Photographs & observations / Tamer Tageldin
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